"Variations on the Word Sleep" By Margaret Atwood

Variations on the Word Sleep By Margaret Atwood In Variations on the Word Sleep the fabricator of the poetry immediately addresses his/her conscience need to connect with the some other person, and they in like manner pick out the hopelessness of this goal: I would very(prenominal)(p) to trance you sleeping, which may not happen(1-2). The opening to the poem, as we see here, could be considered regular(prenominal) of Atwoods writing in the soul that whiz person longs to stay put with another, and recognizes the difficulty. It is this type of vulnerability that we urinate come to expect in Margaret Atwoods writings, because, as with many feminist writings, we are aware of the role struggle between workforce and women, and even between women. plainly this poem refrains from identifying sexes; it lonesome(prenominal) discusses a deeply internal need of one person for another, who is on a journey through the apparition maze of their consciousness. The send-off stan za evolves from a simple plea from the genderless verbaliser to watch their caramel sleep, to a deeper, spiritual need. Atwood chooses to remain indeterminate in this respect, which helps a wider audience identify with the work.

The poem also has merit because deep down seven short, simplistic lines we sea-coast from a gentle yearning to a love labyrinthian and intense, with two minds merging unitedly in a ambition: I would like to watch you, sleeping. I would like to sleep with you, to enter your sleep as its smooth dark cockle slides over my head.(3-7) The action of the poem continues to evolve as Atwood ca rries the lecturer through what appears to ! be a lovers dream or fantasy. The teller at first wishes only to watch their lover sleep, thence he/she desires to enter the same sleep, then envision him/her locomote through the layers of consciousness. As the reader... If you neediness to get a full essay, purchase order it on our website: BestEssayCheap.com

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